But Pawn Hearts turned out to be a confusingly heady trip for even the most attentive listeners. The third album by Van Der Graaf Generator won over prog fans by featuring King Crimson guitarist Robert Fripp. Dream Theater, ‘Metropolis 2: Scenes From a Memory’ (1999). ![]() , and me and Holdsworth thought that America needed Holdsworth." The remaining members never quite captured the debut's groove and broke up in 1980 - though Wetton and Jobson reunited in 2012 to tour. ![]() "The theory was that America needs a new ELP," explained Bruford at the time. After the album was released, Bruford and Holdsworth bolted, expressing disinterest in working on a more elaborate follow-up. Eddie Jobson's twirly keyboards and weepy electric violin duel playfully with Allan Holdsworth's soaring guitar, while John Wetton's resounding bass locks in with Bill Bruford's syncopated drumming. But they only stuck around for about three years, creating an intensely melodic blend of prog and jazz fusion on their debut, achieving orchestral intricacy without drifting off into self-indulgence. as one of the most promising supergroups ever - the band featured ex-members of King Crimson, Yes, Roxy Music and Soft Machine. Yeti isn't just one of Krautrock's greatest albums it's one of the finest records of the entire original psychedelic era. Half of Yeti was completely improvised in the studio, but it's hard to identify which half pre-written tracks like the opening suite "Soap Shop Rock" and the searing rocker "Archangel Thunderbird" seem to follow their own primal internal compass, while the improvised nine-minute closer "Sandoz in the Rain" (allegedly recorded while the entire band was on acid) is ravishing in its stark, crystalline beauty. Heavier and hairier than most of their Krautrock contemporaries, the band melded elements of the Velvet Underground, Jimi Hendrix, Frank Zappa, Jefferson Airplane, Pink Floyd and Quicksilver Messenger Service with African, Asian and Indian influences to create something deeply personal and even more deeply weird. Described by Lester Bangs in Rolling Stone as "Germany's great psyche-overload band," Amon Düül II delivered some serious mind-fry on their sprawling second album.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |